Thursday, September 29, 2011

Launch of book "The fate of Kosovo", September 2011, Tehran



Vahid Parasttash- Iran
http://www.hamshahrionline.ir/news-146938.aspx



Books> Chapavl  - Hmshhryanlayn: 
the fate of Kosovo, attended the unveiling ceremony of the book, scholars of Islamic awakening in the hotel's meeting was held on the sidelines Kvzvvyy.
Tash-fashioned in this meeting, the author, Sinan, director of the Institute of Sound Pryzrn Kosovo; Shyhv, a prominent writer and poet Kvzvvyy, Fvsha, managing director of radio and television network and the doctor Ismaili Bsay Kosovo, Albanian-born professor at the seminary in Skopje he objected to his views on Kosovo's independence began.
The author noted, with more than 90 percent of Kosovo's population is Muslim, said some of the Muslim world, deepening the relationship between ethnic Albanian and Muslim nation of Iran, has a long and old poets like Naim Frashry show the depth of the spiritual relationship between the two nations Yes.
وی انتشار کتاب سرنوشت کوزوو را با حمایت های موسسه بالکان معاصر، اقدامی شایسته و ضروری در دوره کنونی ارزیابی و گفت؛ متاسفانه بعد از استقلال کوزوو، شاهد انتشار کتابی در این خصوص در کشور نبودیم و امیدورایم این کتاب بتواند تا حدود زیادی به سوالات مطرح The phenomenon of Kosovo's independence to respond.
Recently updated and the views of opponents and proponents of Kosovo's independence from political and legal dimensions of the features of this book is.
Chapters of this book, first chapter, introducing the Balkans and Kosovo, the second season, the fate of Kosovo from the perspective of international law, Chapter III, the fate of Kosovo in the International Court of Justice, Chapter Four, the fate of Kosovo in international organizations, Chapter V; events affecting the fate of Kosovo, Chapter VI, the fate of Kosovo's recognition in the international system, Chapter Seven, Chapter Eight major powers and the fate of Kosovo, summary and conclusions.

Friday, September 23, 2011

KANİ KARACA Bir Nigâh Et Ne Olur Halime Ey Gonce Dehen

Saudi Arabia Music and Images

Vas- In the Garden of Souls

Stellamara - Kyrie Eleison

Brankica Vasic Vasilisa - Oblak (Cloud) - Budha Bar

Mostar Sevdah Reunion - Mostarski Ducani

Before the Rain Soundtrack - Nine Iron Doors (anastasia)

Gustav Meyrink



THE GOLEM
Gustav Meyrink
(Tartarus Press 2004)

Reviewed by Mario Guslandi

Golem is a word employed in the jewish tradition to indicate an artificial creature, imbued with life through Cabbalistic magic or God’s intervention. In Hebrew it means “shapeless mass”and, according to the Talmud, Adam was considered a “golem” ( a body without soul) for the first twelve hours of his existence. The most famous legend of the golem is linked to rabbi Judah Loew who is said to have created a golem out of clay to protect the Jews community of the Prague ghetto during the sixteenth century. The Golem legend has inspired countless artists, writers such as Gustav Meyrink, Isaaac Bashevis Singer , Avram Davidson and film directors as Paul Wegener. In 1915 Gustav Meyrink, a friend of Kafka, published a successful novel by the same title, loosely inspired to the story of rabbi Loew’s creature. Contrary to a diffuse belief, the famous Wegener’s movie released in 1920 was not a rendition of Meyrink’s book, but was directly connected with the legend of the clay creature moulded by the rabbi..................






© Mario Guslandi 2004



Mario Guslandi was born and raised in Milan, Italy, where he’s currently living. He became addicted to horror and supernatural fiction more than twenty years ago, after accidentally reading a reprint anthology of stories by MR James, JS Le Fanu, HP Lovecraft and A Machen. Since then his collection of horror books has expanded to the point of requiring continuous addictions of new shelves to his library, in order to avoid the collapse of the whole structure. Most likely the only Italian who regularly reads (and reviews) dark fiction in English, he’s always tempted to hide his true identity under feigned English or american pen-names, just for the fun of it, but then he keeps forgetting to do that.

DRAGAN MALEŠEVIĆ TAPI



Dragan Malesevic Tapi was born in Belgrade in 1949. In his early youth, he started painting as an autodidact. His painting career began when he was seven years old, in the lobby of the building located at 4 Hilandarska street in Belgrade. He copied the comic ``Three Imps``, which his father, a journalist, used to bring him from the ``Politika`` press, before the comic would appear in newsstands. Tickets for his first independent ``exhibition``, which took place at the entrance of his house building, cost five dinars for children and ten dinars for adults. In 1985 his works, together with the works of Mica Popovic and Olja Ivanjicki, were shown in public, at a group exhibition in Rovinj, where he continued to exhibit his works for the next five years.
The crucial moment for his painting career was the sale of some of his first paintings in the Prijeko Gallery - Dubrovnik in 1987. Tapi's first painting was sold to a German tourist for 8,000 Deutschmarks, although the artist at first asked 50,000 dollars for it. From that point forward, he aligned his life with his talent. After only two years, the magazine ``Art News`` would include him among the seven best hyperrealists in the world.[1]
In the 80's and 90's of last century his paintings engrossed great media attention,[2] and that was followed by numerous independent and group exhibitions across his homeland and abroad: United StatesCubaBelgiumFranceUnited KingdomGermanySwitzerlandGreece,CyprusBulgariaCroatiaMontenegroMacedoniaRussiaChinaJapan… Tapi's paintings are in numerous private collections, like the one of former president and state secretary of the United States George H.W. Bush and Henry Kissinger, departed Prime minister of JapanKakuei Tanaka, and many other public figures across the world, but also in public collections, including the White House collection.[3] In 2000 the U.S. state of Georgia proclaimed Dragan Malesevic Tapi as an Honorary Georgia Citizen. Unfortunately for the world of painting and admirers of fine arts, the sudden and early death of the artist in 2002 prevented him from exhibiting already arranged exhibitions in museums and galleries such as the Peggy Guggenheim Museum.