The Art allows reality to erupt
The Theurgy allows reality to manifest the magnitude of beauty of cosmic reality.
How to begin? How to continue? and how to abandon the process which we know to baptize creativity and then to restart again the same suffer with hesitation? Are thoughts which Balzac has articulated sometime ago?
Yet such thoughts got and still every soul which strives to create have!?. A parallel elemental world demoted unconsciously from Theurgy into Art. The art work that might fascinate the minority or a colony of human entities but such a work has guaranteed super temporality, as Homer, Shakespeare, Hafez, Rumi in literature or Mozart, Wagner, Beethoven etc in Music.
Simultaneously such works are on safari on communication code a kind of Lingua Franca, but wordless and syllables in this case per se.
Otherwise the work that are not red by cover but in their substance, in its flesh, only the sky is their limit.
For such works the time is inexistent and based on quantum of things and manifestations they do not posses velocity of light to absorb time neither are static to be considered a corpse (cadaver that waits to decompose) to the level we are not able to identify its genetic code; DNK of super temporal values.
In the antique Hindu tradition, as in the best way the artistic/sacral phenomenon is manifested if we may say so. The creative dance of Shiva Nataraj, creates every creature, whereas the dance is product of cosmic Meta-Symphony, of primordial Meta-Tune.
Definitely there’s no better artistic-sacral explanation, all these in Meta-Galactic plan.
The Shaman dance; a product of objective music extracted from eons and multi-dimensional hyperspace of subconscious, follows that hidden tradition creating a dynamic visible forms which in absence of adequate vocabulary using unconscious analogy applying the matrixes of visible and invisible manifestations for sake of approaching to perception of a new manifestation calling it Dance, Ballet or other concept, which we still await to discover, here we leave open possibility for nomination so giving existence to something more refined mental, spiritual or astral with the aim receptor or creativity consumer to bewilder with the creativity, genius, extravagance and who knows what other of mundane artist, represents The Power of Almighty and his Magnitude that its creature/MAN to become capable to create something tangible, visible, perceptible, sensual etc.
From such dances, a terrestrial movement has been created as resemblance of a celestial dynamics. The thoroughness of such manifestation in a terrestrial plan is achieved most perfectly in SEMA (on SEMA, more extensively, look my previous work Sema, Semazen and the Art of RUMI)
In the eyes of receptor such observations are explained as impetus for transmission into words a manifestation that represents a combination of listening, harmony, body movement, music, accoutrement, all these specific, to end in ecstasy or unification with the cosmos or with the collective unconsciousness of K/ G. JUNG.
Nearly every time the external factor limits or better said determines the manifestation of such Theurgic product (artistic-sacral) and the tendency of this product to decrease is persistent aiming to be easier absorbed. This psychic catalysis may not be necessarily mala fide, but in other hand the affinity increases, the insufficient absorbing force for decoding the imperceptible Universality until that moment respectively.
For such creative treatment, for the creation of new forms( in every dimension, field, act) necessarily creates from individual an ascetic and since Asceticism is Magical the individual pays the high price his longing to return from solitude into visible plurality amidst the mass is high and after he returns from this second he understands the price he paid. For sake of the paid price that what he discovers in his Asceticism he resurrects, gives existence with the nomination.
Such investigation necessarily narrows into a Word (I speak here for all kind of creativity) because the space is narrowed that the overload of elements suffocates the harmony therefore it has been said much and understands little, little emphasis so to arrive up to primordial archetypal Oration we have to arrive till the Name, Notion.
Such an outpour of passion is product of self-discipline. Maybe such achievement is manifested at Yves Klein in Painting and mono-tune symphony. Maybe the single- ton is sufficient to create a symphony, the Magic of EGO.
We are awakening (however) sink, survive from such burden are occupied with Infra-acoustic symphony and its happening without us, with us, in a front of us, behind, au and down us; is prove of our sat-back to simultaneously be in Gestalt and Synchronicity with the creative Pleroma of higher spheres.
The Stopping for the moment leads us to Meditation, to de-automation of our routine acts, sink into meditation swallows us and after the return we give nothing else to the things/ manifestation than new emphasis.
In creative poetic engagement the solutions are found at evocations of literary archetypes impregnated with our images and nostalgic odors in cornucopia of visual manifestations undressed in visible fluids, instant aggressive images.
The isolation from the mass the creating of works without authorship, unpublished that ends up in to flames of spiritual poverty almost today is impossible. Necessarily the mass ought to ask the poetry. It is written for them, the author shall not find the communication code, the mass shall enrich its gusto with the fruit of isolation and author’s suffer. There’s no painless birth. The fear of death is the fear of new birth which is painful.
The poet of Royal abode, poet-prophet, holly poet, and the poet of literary-artistic clubs, the poet of diplomatic lounge, the isolated poet, ideology poet, and historical poet is dead.
“Knowledge of Poetics has little value if lacks the poetic gift. Knowledge of Poetics by one who is not gifted is akin to magnanimity of the poor, martial art to coward and more than that.
Neither its sin nor the vindictive not being Poet, but to be a poor poet is equal to death”; said Indian critic and poet, Bhamaha.
The mass shouldn’t read literary testaments but living word, the mass doesn’t have time, money, energy. Awakening of mass have entombed the Poetry; freedom of speech; the channels where the freedom of speech flows have created the bed where it flows. Now we need more Numinosity.
Accent religieux- is transformed into Science fiction, the Philosophy into Sociology, Religion into Psychology, Art into Aesthetics, Politics into Urban culture, Mysticism into ritual, Ritual into Game etc.
The man is returning to his childhood with the permanent tendency for gaming, until he arrives to Holly Laughter. I have acclaim Laugh holly; oh sublime men teach me to laugh- said Nietzsche in Zarathustra.
More than change tendency The Sacral Art acts to create a Beauty as Being, because things that doesn’t change throughout human history are; heart, human love for all creatures and the tendency for holly achievement as beautifully observed by Chagall.
“Everything may be changed in our demoralized world except, heart human love and his tendency to understand the divine. Painting just as Poetry is part of the divine; today people experience the same as in the past”, Marc Chagall.
It is not late and maybe timely to say that the concept of Rudolf Otto-s, the Numinosity is the dynamics the artists nowadays need either in Literature, Painting, Installations, Fashion etc. For the Numinosity more individual and collective freedom we shall possess. Kandinsky somewhere wrote; every epoch is bestowed with individual amount of artistic freedom, even the most creative genius can’t exceed the limit of this freedom.
Therefore act in the frame of this freedom takes another compulsory Involutive attribute for our era of intellectual, artistic, spiritual maturity of mankind, inner spiritual development which emits the specter as product of sacral creativity respectively.
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