http://www.laguna.rs/index.php?m=pisci&id=509

Ljubivoje Ršumović

Ljubivoje Ršumović rođen je u Ljubišu, na Zlatiboru, 3. jula 1939. godine. Školovao se u Ljubišu, Čajetini, Užicu i Beogradu, gde je diplomirao na Filološkom fakultetu, na grupi za komparativnu književnost.

Rano je počeo da piše, još kao osnovac u Ljubišu. Prve pesme objavio je kao gimnazijalac, 1957. godine, najpre u užičkimVestima, a zatim u Književnim novinama.    

Godine 1965. zaposlio se u Radio Beogradu, u redakciji programa za decu. Svoj literarni rad uspešno je ugradio u emisije Utorak veče – ma šta mi reče, Subotom u dva, Veseli utorak. U tim programima primenio je„dokumentarnu poetiku“, koju je usvojio od Zmaja i Duška Radovića i pedagošku doktrinu Džona Loka: „Što pre dete smatraš čovekom – pre će čovek i postati!“ Godine 1968. počeo je sa radom u televiziji i snimao je poznate serije: Dvogled, Hiljadu zašto i Hajde da rastemo. Kao televizijski poslenik napisao je, režirao i snimio preko šest stotina emisija. Jedna od najpopularnijih serija za decu Fazoni i fore imala je sto četrdeset dve epizode.    

Pored programa za decu uradio je i nekoliko serija dokumentarnih programa. Takva je serija Dijagonale – priče o ćudima i naravima, u kojima Ršumović govori o pojedinim etničkim grupama, puštajući pripadnike tih grupa da sami daju karakterizaciju svojih saplemenika. To su emisije o: Mijacima, Brsjacima, Malisorima, Torbešima, Bunjevcima, Erama, Lalama, Dubrovčanima, Bodulima, Šopovima, Gorancima, Piperima i mnogim drugim.

   Objavio je 72 knjige, uglavnom za decu. Među njima najpoznatiji naslovi su: Ma šta mi reče,  Pričanka, Pevanka, Još nam samo ale fale, Vesti iz nesvesti, Nevidljiva ptica,Domovina se brani lepotom, Sjaj na pragu, Rošavi anđeo, Zov tetreba, Uspon vrtovima,Pesme uličarke, Severozapadni krokodil, Pošto prodaš to što misliš, Opasan svedok, Ne vucite me za jezik, Gujina stena, Bukvar dečjih prava,   Tajna ledene pećine i Beli paketi. U pozorištima je izvođeno više njegovih dela: Šuma koja hoda, Nevidljiva ptica,Baba Roga, Rokenrol za decu, Uspavana lepotica, Au, što je škola zgodna, U cara Trojana kozje uši, Snežana i sedam patuljaka, Ršumdani, Miš je dobio grip,Tri čvora na trepavici, Tandara mandara... 

Dobitnik je književnih nagrada: Neven, Mlado pokolenje, Nagrada Zmajevih dečjih igara, Brankova nagrada, Oktobarska nagrada grada Beograda, Goranova plaketa, Vukova nagrada, Zlatni prsten Festivala pesnika za decu u Crvenki, Nagrada Porodica bistrih potoka Udruženja književnika Srbije, prva nagrada za dramski tekst U cara Trojana kozje uši na Festivalu pozorišta za decu u Kotoru, nagrada Politikinog zabavnika za knjigu Tri čvora na trepavici, nagrada Duško Radović i titula Saradnik Sunca, Instelova nagrada za poeziju 2008. i kao nagrada Miroslav Antić 2008. godine za knjigu Beli paketi i nagrada Princ dečjeg carstva Tamaris u Banjoj Luci 2009. Dobitnik je i dve zapažene međunarodne nagrade: nagrada Pulja u Bariju, za celokupno stvaralaštvo za decu i nagrada UNESKO-a za Bukvar dečjih prava na svetskom konkursu za knjigu koja propagira mir i toleranciju.

Njegova dela prevedena su na više stranih jezika.

Autor je tri udžbenika za osnovnu školu: Deca su narod poseban, Azbukvar i Pismenar.

 Uporedo sa književnim radom bavio se i sportom. Osnivač je, takmičar i prvi predsednik karate kluba Crvena Zvezda. Bio je predsednik karate saveza Srbije i savezni je sudija u karateu.

 Od 1986. do 2002. bio je direktor pozorišta Boško Buha. Predsednik je Kulturno-prosvetne zajednice Srbije i jedan od osnivača i član Upravnog odbora Zadužbine Dositeja Obradovića.

 Jedan je od osnivača i prvi predsednik Odbora za zaštitu prava deteta Srbije, pri organizaciji Prijatelji dece Srbije, u kojoj je aktuelni predsednik Skupštine.

Više nije član Udruženja književnika Srbije.

 Živi i radi na Slobodnoj teritoriji, nedaleko od Beograda.

Ljubivoje Ršumović
Ljubivoje Ršumović was born in Ljubisa, Zlatibor, 3 July 1939thyear. He was educated in Ljubisa, Čajetina, Uzice and Belgrade, where he graduated from the Faculty of Philology, the group of Comparative Literature. Early he began to write, even as the elementary school in Ljubisa.The first song released as a high school student, 1957. years, first in užičkimVestima, and then in the literary press. 1965. a job at Radio Belgrade, in the office programs for children.His literary work has successfully installed the program Tuesday night - no matter what he said to me, on two Saturdays, Happy Tuesday. In these programs applied the "poetic documentary" that was adopted by the dragon and Dusko Radovic and pedagogical doctrine of John Locke: "The sooner a child feel a man - and the sooner it will become a man!" Godine 1968. started working in television and recorded the famous series: Binoculars, Thousand why and let's grow. As a television worker wrote, directed and filmed over six hundred shows. One of the most popular series for children and Fittings fore had a hundred and forty-two episodes. In addition to programs for children and has done several series of documentary programs. This is a series of diagonals - the story of miracles and nature, in which Ršumović talking about some ethnic groups, allowing members of these groups to give a characterization of their own brethren. These are shows about: Mijač Brsjaci, Malis, Torbesh, Bunjevci, Eram, tulips, Dubrovnik, Bodul, shops, Gorani, Piper and many others.
   He has published 72 books, mostly for children. Among them, the best known titles are: Whatever you said to me, Pričanka, Pevanka, All we need are dragons, News from the unconscious, invisible birds, homeland defense is the beauty, splendor in the doorway, pockmarked angel, call of capercaillie, gardens rise, Songs prostitute, Northwest Crocodile, Since you sell what you mean, dangerous witness, do not drag me to the language, Gujina rocks, Foundations of children's rights, secret caves and icy white packages. In the theater was performed several of his works: The forest that walk, Blind Bird, Baba Roga, Rock and Roll for Children, Sleeping Beauty, Au, which is a nice school, The Emperor Trojan has goat's ears, Snow White and the Seven Dwarfs, Ršumdani, Mouse got a grip, Three knots in an eyelash, Tandara mandara ... He has won literary awards: Neven, The young generation, award Zmaj Children Games, prizes Brankova, October Award of Belgrade, Goran plaque, Vuk Award, Golden Ring Festival poets for children in Crvenka, Clear Brooks Family Award Writers' Association of Serbia, the first prize for drama The text of the Emperor Trojan has goat's ears at the Festival Theatre for Children in Kotor, the prize for the book Politikin Zabavnik three knots in an eyelash, awards and titles Dusko Radovic Associate Sun, Instel Prize for poetry 2008th and as a reward Miroslav Antic 2008th The white book packages for the award of child Prince Empire Tamaris in Banja Luka, the 2009th He has received two outstanding international awards: Award of Puglia in Bari, the overall creativity of children and the UNESCO Award for Foundations of children's rights in the global competition for a book that promotes peace and tolerance. His works have been translated into several foreign languages. He is the author of three textbooks for primary school: Children are special people, and Azbukvar Pismenar.
 Along with the literary work he did the sport. He is the founder, first president of the athlete and karate club Red Star. He was president of the Karate Union of Serbia and the federal judge in karate.
 Since 1986. to 2002. was a theater director Bosko Buha.President of the Cultural and Educational Community of Serbia and co-founder and board member of the Dositej Obradovic.
 One of the founders and first president of the Committee for Protection of Child Rights of Serbia, the organization Friends of Children Serbia in which the current President of the Assembly. It is no longer a member of the Association of Writers of Serbia.
 He lives and works in the free territory, not far from Belgrade.

Jack Hirschman

http://www.sfcall.com/issues%202002/5.24.02/hirschman_poems_5_24_02.htm

TWO

In the beginning I was soused with words, the page wasn't wide
enough to hold my spillover, I ran and ran and the puns and
brashbrandy flew out of my mouth slantrhymed.

In time I looked at her. The lines
broke. Look at mine, look at hers. And neither died of it.

That Irishman, they say, sang best
at seventy-seven.
It isn't easy
to write the word, love,
and mean it
to speak open.

From Black Alephs (New York/London: Phoenix Bookshop/Trigram Press, 1969)

 http://www.fogcityjournal.com/news_in_brief/jack_hirschman_pl_060113.shtml

"Philosophically I'm an internationalist who knows that neither homelessness and poverty globally and specifically here in San Francisco, which the mayor is much concerned with, as well as war and violence will ever end until and unless the wealth of this world is redistributed and or appropriated for the benefit of all according to our needs as human beings," Hirschman explained.

"All of my poetry and intellectual expression is, in one way or another, directed to that end.

"And since I believe that all human beings are poets in fact, and the writing of a poet is the most powerful action given to humankind, because unviable and unsellable in essence, and because a child of five years and a man or woman of seventy years in the act of writing a poem evoke the quality that is love at the heart of the world.

"I write to unfold the future of that equality with all my brother and sister human beings.

"The simplest thing in the world, imagine, three lines in Japan, thousands of leaves of grass of our own American bard, millions of variations throughout the world even unto intricate rhymes hip-hopping down the street, in schools, in prisons, slipped under your door, on the page or off the page, published between your ears, the simplest thing is the greatest weapon against the chaos, the fear, and war."

Hirschman became the fourth Poet Laureate of San Francisco under the program Mayor Willie Brown initiated in 1998.

André Cruchaga- El Salvador

El poeta, profesor e investigador André Cruchaga nació en Chalatenango, El Salvador, en 1957. Su obra poética abarca numerosos títulos publicados en libros y también en publicaciones periódicas, y una parte significativa de ella ha sido traducida a otros idiomas. Es encomiable su quehacer en la promoción de la poesía en general, de lo cual da fe su antología on line Arte poética. Rostros y versos, de la cual ofrecemos un enlace directo a la entrada de su propia obra. De sus trabajos de pensamiento puede ver una muestra en su blog Laberinto del Torogoz, y en su bitácora Álbum nocturno, un poema suyo. También pueden apreciarse sus versos accediendo a sus blogs personales El cielo a caballo y Cuaderno del zorzal. Como se verá, Cruchaga se desenvuelve fundamentalmente en la poesía en versos libres, pese a lo cual accedió fraternalmente a nuestra solicitud enviándonos estas décimas, para las que escogió el difícil metro 
decasilábico.


The poet, professor and researcher André Cruchaga was born inChalatenango, El Salvador, in 1957. His poetry covers many titles published in books and periodicals, and a significant part of it hasbeen translated into other languages. It is commendable their workin promoting poetry in general, which attests to his poetic art onlineanthology. Faces and verses, which offer a direct link to the entry ofhis own work. Thought of their work can see a sample on his blogTorogoz Maze and Night album on his blog, a poem of his. His poems can also be seen by accessing their personal blogsHeaven Notebook riding and thrush. It will be seen primarilyCruchaga unfolds in free verse poetry, yet they agreed to our request by sending fraternal these tenths, for he chose the difficultdecasyllabic meters.http://www.artepoetica.net/datos.htm

Zeilton Alves Feitosa

http://www.feitosa.net/

ZA Feitosa - Writer

Does anyone remember the unusual pleasure That dyed ZA Feitosa's poetry and the throbbing eroticism, sometime obscene, That permeated his prose? The Fact Is That ZA Feitosa was a virtual unknown in 2006 rediscovered When the literary creation, the relative notoriety Despites That Reached ITS texts in the early '80s. The work of ZA Feitosa is strongly marked by the rare combination of lyricism and fri. It is truth, However, That this mixture of elements, although Several, just widen the artistic dimension of his prose and his poetry. What's better in ZA Feitosa is, without doubt, his imaginative and irreverent side, regionalism and a captivating and unusual metaphors, Which temper his work. That is the formidable ZA Feitosa is on the Internet, surrendered unconditionally to the power of the net after breaking in 2007, of an unfair literary silence of 22 years.

ZA Feitosa - Writer

Is there any record of that voluptuousness unusual dyed ZA Feitosa's poetry, and eroticism throbbing, sometimes obscene, that permeated their prose? The fact is that ZA Feitosa was a virtual unknown in 2006 when rediscovered the literary production, despite the relative notoriety reached its texts in the early 80's. ZA Feitosa's work is strongly marked by the rare combination of lyricism and sex. It is true, however, that this mixture of elements, although different, it simply amplifies the artistic dimension of his prose and his poetry. Best of ZA Feitosa is undoubtedly his side imaginative and irreverent, and regionalism captivating and unusual metaphors, which temper his work. The formidable is that ZA Feitosa is on the Internet, surrendered unconditionally to the power network, after breaking up in 2007, an unfair literary silence of 22 years.

ANDRÉS MORALES

LA PÁGINA DE ANDRÉS MORALES

martes 6 de septiembre de 2011

PRESENTACIÓN DE "ANTOLOGÍA BREVE" DEL POETA CHILENO ANDRÉS MORALES (MAGO EDITORES) EL JUEVES 15 DE SEPTIEMBRE A LAS 19:00 HORAS EN "LA CHASCONA" (FUNDACIÓN PABLO NERUDA)

Mistletoe

from "Pleroma's dew"

Pine needles have bloodied your feet
you are in Love I see and pleased so much I am

nor do I see any regret from your innocent Love; for
in this balance I breath and stretch my wings
to the heights of the white cloud

my habitat below the crown of the Oak;
we salute each other and receive growth
from your Love;

radiates everything good including blessing
the breeze and the smell of resin fulfils; not only you

the bushes shakes and hides the coitus
of the rabbits and

the strawberries blooms the red fruits full of passion
with their secrets exposed on their skins

Forest is a vast Ocean for those in Love
bare naked you may walk; the evergreen

shall cover your shyness; if you are so;

Phillip Larrimore

ARTIST STATEMENT

These are paintings which can be literally looked into, layer by layer, with altering fields of depth, which change according to the angle of approach, and which recombine when one stands still. They are in a real sense a record of problems set and problems solved. My first work originated in a fascination with Leonardo's deluge drawings, which seemed to x-ray the motion of water and animate it on a page. How to make the visual equivalent of the polyphonic music of the Renaissance was my other initial concern. I wanted to make a painting like a fugue. I wanted to make a painting which the viewer animated. And I wanted to do this using little or no technology, unlike a hologram. My first work was studies of fire and water. Someone compared them to animated Monets. I have since explored depth, and pattern, perspectival space and multiple perspectives, architectural subject matter, and most recently realist and figurative work, all of this building to the future work I hope to do. Several meticulous copies of Audobons executed on six scrim layers were done in order to understand wing structure and pterolography-- or the proper placement of feathers--prefatory to paintings I plan to do representing birds in flight. A long-term obsession with Kaspar David Friedrich's "Arctic EXpedition" (improperly but more accurately called "The Wreck of The 'Hope'") lead to a series begun but not ended about the Shackleton expedition. And a sense that my more abstract pieces did not engage my sense of history, and historical tragedy, lead to a series of paintings --studies for an ongoing project--depicting the Dresden bombings and the killing fields of Cambodia. Each of these explores depth and space in a different way, according to the subject matter. To "pun" with the ship's riggings among the different layers of screen became part of the problem in the Shackleton paintings. To dimensionalize the shimmer of feathers of a great Tern. This is why I have gotten to human bodies only recently. Why do I work this way? My argument with artists statements--beyond the fact that the prose is usually execrable and the philosophy specious--is that we don't really know why we are haunted by certain questions and indifferent to others,and so such statements tend to be elaborate edifices around unanswered questions. Years ago, I did a year's drawings attempting to translate the imagery scintillating on what is called in Ashram circles "the third eye". Each dot of these drawings was done uttering a prayer. That seemed direly necessary then, and then it seemed something that I had learned to do, and no longer needed to do. Likewise the studies of water motion, of bird feathers, of Giambologna's Mercury Taking Flight--who I have skimming the waters of the Styx. Do the next thing.
PROCESS
The screen paintings initially used three to four layers of aluminum screening, each painted with a different but related image, which were hung at four inch intervals before and/or behind each other. The four layered paintings of this first period of my work hung 12 inches off the wall, the first screen usually being hung on the wall itself. I have consistently modified the process according to the area of inquiry and subject matter. The most "realist work" of the last year hangs four inches off the wall with an interval of an inch between each layer. The paintings investigating the use of perspective are about six inches deep[ but appear much deeper. The paintings investigating the play of pattern against pattern are about three inches deep. Usually the screens are hung with wire from the ceiling. I like to keep them "loose" so that the circulation of air causes them to "breathe".
MIRRORS
The mirrors are two panel corner pieces, each panel reflecting into each other. I have recently started to adapt some of these earlier pieces to make three-sided pieces in boxes.

DIOGEN

AUTORIMA...ABOUT OUR AUTHORS

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4.9.2011.
Čestitamo našem autoru Fahrudinu Shehuu, književniku iz Prištine, Kosovo -
 na objavi knjige u Portugalu, 2011.g.

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http://diogen.weebly.com/o-nascaronim-autorimaabout-our-writers.html

Shehu boton libër në Portugali

Fahredin Shehu, shkrimtar i sukseshëm shqiptar, krijimtaria e të cilit në vazhdimësi po përkthehet në gjuhë të ndryshme anekënd botës, ka dalur me libër në Portugali.
“Christaline Echos” apo “Jehona kristaline” përmbledhje me poezi, është botuar nga shtëpia botuese Corspos Editora. Libri është botuar në formatin tradicional dhe si e- book. Ky nuk është libri i parë i Shehut në gjuhën angleze. Ai ka botuar edhe libra të tjerë në anglisht, dhe është përfshirë ne disa antologji botërore.
Shehu ka qenë i vetmi pjesëmarrës nga Kosova në Festivalin ndërkombëtar të poezisë në Lodeve të Francës, e së fundmi edhe në Festivalin ndërkombëtar të poezisë në Strugë.

Crystaline Echoes- Corpos Editora- Portugal

Book. 2011.
"Chrystalline Echoes."
Fahredin Shehu.
Delivered by mail / Delivered by mail.
ON SALE!
€ 15.00 incl.


http://www.worldartfriends.com/store/1219-fahredin-shehu-chrystalline-echoes.html